Step into an evening where sound and story intertwine. The exhibition Diedrick Brackens: gather tender night becomes a living, breathing instrument as composer, singer, and songwriter Willie Alexander III performs live among the works. His music—layered, intimate, and resonant—echoes through the space, inviting you to experience the exhibition in an entirely new way. It’s a moment of convergence: voice, texture, memory, and presence unfolding in real time.
Enjoy a cash bar, free gallery admission and let the night gather around you.
Willie Alexander III is a composer, performer, and multidisciplinary artist whose practice reexamines the role of classical music within contemporary culture. Engaging historical traditions through a forward-looking lens, his work explores the relationship between music, visual art, and performance as interconnected forms of cultural expression. He approaches composition as both an aesthetic and social practice, positioning music as a site for dialogue, memory, and transformation.
Alexander has collaborated with artists including Kanye West, Vanessa Beecroft, and Alicia Keys, contributing to interdisciplinary projects that bridge experimental and popular forms. His work is informed by his experiences as a queer, mixed-race Black artist, and is grounded in a commitment to expanding access to and authorship within classical music, particularly for historically underrepresented communities.
Originally from California, Alexander began his musical training at an early age and performed nationally by his late teens, appearing at venues such as Lincoln Center, Hollywood Bowl, and Art Basel Miami Beach. At nineteen, he joined the San Francisco Symphony under the direction of Michael Tilson Thomas, where his tenure contributed significantly to his artistic development.
Now based in New York, Alexander’s practice extends across composition, performance, visual art, and socially engaged work. Through interdisciplinary collaborations and curated gatherings, he creates spaces that foster artistic exchange and collective inquiry. His work challenges inherited conventions of genre and presentation, advancing new frameworks through which music can be experienced as both a formal discipline and a dynamic, living practice.